Cadencias femeninas: música, género y sexualidad

Cadencias femeninas: música, género y sexualidad

SKU: book:9789563574241
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Doctora en musicología por la Universidad de Harvard y profesora titular de musicología en la cátedra Fynette H. Kulas de Case Western Reserve University. Como investigadora se ha enfocado en el análisis cultural de la música, abordando tanto la música docta europea como también la música popular contemporánea. Es coautora de varios libros y también autora de Georges Bizet: Carmen (1992), Conventional Wisdom: The Content of Musical Form (Bloch Lectures, 2000); Modal Subjectivities: Renaissance Self-Fashioning in the Italian Madrigal (2004); Reading Music: Selected Essays (2007), Desire and Pleasure in Seventeenth-Century Music (2012) y The Passions of Peter Sellars: Staging the Music (2019). Sus diversos escritos han sido traducidos en más de veinte idiomas y a lo largo de su trayectoria ha dirigido más de cincuenta tesis doctorales. En 1995 fue galardonada con la beca “Genius” de la Fundación MacArthur.

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Doctora en musicología por la Universidad de Harvard y profesora titular de musicología en la cátedra Fynette H. Kulas de Case Western Reserve University. Como investigadora se ha enfocado en el análisis cultural de la música, abordando tanto la música docta europea como también la música popular contemporánea. Es coautora de varios libros y también autora de Georges Bizet: Carmen (1992), Conventional Wisdom: The Content of Musical Form (Bloch Lectures, 2000); Modal Subjectivities: Renaissance Self-Fashioning in the Italian Madrigal (2004); Reading Music: Selected Essays (2007), Desire and Pleasure in Seventeenth-Century Music (2012) y The Passions of Peter Sellars: Staging the Music (2019). Sus diversos escritos han sido traducidos en más de veinte idiomas y a lo largo de su trayectoria ha dirigido más de cincuenta tesis doctorales. En 1995 fue galardonada con la beca “Genius” de la Fundación MacArthur.

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